Pub.lished Movie Reviews


Miller's Crossing (1990)

If you like your dialogue as rapid as your action, then this movie is perfect for you.

Rating: 10/10
Runtime 115 minutes

"Miller's Crossing" is a sleek noir offering from the Coen Brothers, definitely a treat for those who enjoyed Pulp Fiction which was released a few years later. This Prohibition era film may bear some resemblance to Pulp Fiction, but it stands out with vastly superior cinematography, scripting, and acting.

The Coen Brothers' masterful touch is evident in every frame of "Miller's Crossing." They've crafted an immersive world that is as real as it is stylized, where every character, plot twist, and line of dialogue feels meticulously planned and executed. It's a testament to their vision and skill that they can create such a distinct film, yet never lose sight of the story they're telling.

The dialogue in "Miller's Crossing" is sharp, coming at you faster than a tommy gun spitting out rounds. However, the story remains tight throughout and the characters are perfectly fleshed out, teetering on the edge of 30's and 40's gangster flick and comic book flair.

The locations in "Miller's Crossing" feel so real that you could imagine yourself strolling around in them, sipping Irish whiskey and working out all the angles. The costumes are wonderful, the pulpy early noir style in which the film is shot is stunning, and the performances are potentially the best in any movie that the Coen Brothers have ever made.

Gabriel Byrne delivers a pitch perfect performance, but Jon Polito is the clear scene stealer. The great Albert Finney also deserves recognition for his stellar performance. All in all, "Miller's Crossing" is a masterclass in filmmaking from the Coen Brothers.


Rating: 10/10
Runtime: 115 minutes
IMDB: 8/10 (140k votes)
Rotten Tomatoes: 92%
First Reviewed: 2006-12-29
Last Updated: 2024-09-29

You should not watch Miller's Crossing (1990) if... Whats the deal with...
Warning: The following may contain spoilers:

What's the deal with "Miller's Crossing?"I mean, it's a gangster film where the gangsters wear more hats than lines they deliver! Every other scene someone's losing a hat, finding a hat, or having an existential crisis about a hat. I haven't seen that much headwear drama since my Aunt Sylvia's Easter bonnet went missing in '83.

And the whole film is about loyalty and double-crossing. It's like a mobster version of Friends, but instead of 'will they or won't they' with Ross and Rachel, it's 'will they or won't they' put a hit on each other. And you thought your friendships were complicated!


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Pulp Fiction (1994)

Fanciers of "Miller's Crossing" will appreciate "Pulp Fiction" for its similar non-linear storytelling, intricate plotlines, and unforgettable characters. Both films, helmed by the Coen Brothers and Quentin Tarantino respectively, are renowned for their stylized dialogue, unique use of violence, and genre-blending aesthetics. "Pulp Fiction," like "Miller's Crossing," is a masterful blend of crime, drama, and dark humor, offering a distinct cinematic experience that is likely to appeal to those who enjoyed the complex narrative and atmospheric tension of Miller's Crossing.

American Beauty (1999)

Those who appreciate "Miller's Crossing" (1990) for its complex narrative, intricate character development, and exploration of deeper societal themes will also love "American Beauty" (1999). Both films use dark humor and symbolism to provide social commentary, and their multi-layered narratives intertwine personal struggles, identity crises, and ethical dilemmas. They also share a similar narrative rhythm, balancing dramatic tension with moments of relief, and both are enriched by powerful performances, especially Kevin Spacey in "American Beauty" and Gabriel Byrne in Miller's Crossing.

Memento (2000)

Those who appreciate "Miller's Crossing" (1990) for its intricate storyline, character depth, and complex narrative structure will likely also enjoy "Memento" (2000). Both films challenge the viewer with their non-linear storytelling, and the protagonists in each are flawed yet compelling, leading to an emotional journey as much as a mental one. The noir elements in "Miller's Crossing" echo in Memento's dark, suspenseful atmosphere and both films require an active, engaged viewer to appreciate the plot twists and turns.

The Big Lebowski (1998)

"Miller's Crossing" and "The Big Lebowski" are films from the Coen Brothers, known for their unique blend of dark humor, intricate plots, memorable dialogue, and complex characters. These films share common elements such as crime, confusion, and quirky characters getting caught up in situations beyond their understanding or control. "The Big Lebowski," like "Miller's Crossing," features a labyrinthine plot and eccentric characters, but with a more comedic tone. Connoisseurs of the Coen Brothers' distinct storytelling style and the noir-inspired crime drama of "Miller's Crossing" will likely also appreciate the comedic noir elements, the unforgettable characters, and the philosophical undertones in The Big Lebowski.

A Simple Plan (1998)

Directed by Sam Raimi, "A Simple Plan" is a heart-pounding crime thriller, centered around three men who find a crashed plane with over four million dollars inside. The film won critical acclaim for its exploration of the darker side of human nature, with some even comparing its tense plot and complex characters to those of Miller's Crossing.

Citizen Kane (1941)

Those who love "Miller's Crossing" (1990) will also love "Citizen Kane" (1941) because both films are masterpieces of character-driven storytelling with rich, complex narratives. Both films use innovative cinematic techniques to amplify their storytelling, with Citizen Kane's groundbreaking use of deep focus and Miller's Crossing's stylized depiction of 1920s gangster milieu. The central characters in both films, Tom Reagan in "Miller's Crossing" and Charles Foster Kane in "Citizen Kane," are flawed yet fascinating, and their personal struggles form the crux of their respective narratives. Moreover, both films are noted for their sharp, intelligent dialogues and intricate plotting, making them appealing to viewers who appreciate well-crafted cinema.

Taxi Driver (1976)

"Miller's Crossing" (1990) and "Taxi Driver" (1976) are intense and gritty tales of conflicted men embroiled in violent, morally complex urban environments. Both films feature masterful storytelling, atmospheric cinematography, and standout performances by their leads. They delve into themes of corruption, isolation, and the blurred lines between right and wrong, offering viewers a dark, brooding exploration of humanity. If you appreciate the nuanced character study, emotional depth, and the stylish noir aesthetic of "Miller's Crossing," you're likely to enjoy the psychological tension and stark realism of Taxi Driver.

Blood Simple (1984)

"Miller's Crossing" and "Blood Simple" are both creations of the Coen brothers, who are known for their unique storytelling style that blends elements of crime, drama, thriller, and dark comedy. Both films are rich in atmosphere, featuring complex characters, existential themes, and violent, unexpected twists. They also share a similar noir aesthetic, complete with moody lighting and meticulous attention to details which enhance the tension and suspense. Fans of "Miller's Crossing" will appreciate Blood Simple's similarly intricate plot, compelling dialogue, and the Coen brothers' distinctive, cinematic voice.

Raising Arizona (1987)

Those who love "Miller's Crossing" (1990) will also love "Raising Arizona" (1987) because both films are products of the celebrated Coen Brothers, known for their unique blend of dark humor, intense drama, quirky characters, and intricate plotlines. While Miller’s Crossing is a hard-boiled crime film with a complex narrative, "Raising Arizona" is a bizarre comedy-caper, offering the same level of character depth, witty dialogue, and visual aesthetics. Both films showcase the Coens' signature style of mixing genres, making them appealing to viewers who appreciate unconventional storytelling and cinematic creativity.

Rushmore (1998)

Lovers of "Miller's Crossing" (1990) will appreciate "Rushmore" (1998) for its similarly intricate storytelling, unique humor, and character-driven plot. Both films, although different in genre, showcase the power of strong scriptwriting, with their witty dialogues and multi-layered characters. These films also share a distinct cinematic style that breaks away from mainstream cinema, offering viewers an engaging visual experience. If you enjoy complex narratives, quirky humor, and memorable characters, the charm and depth of "Rushmore" will appeal to you as "Miller's Crossing" did.

Road to Perdition (2002):

If you're a fan of "Miller's Crossing," you'll likely enjoy "Road to Perdition." Directed by Sam Mendes, the film stars Tom Hanks as a mob enforcer who must protect his son at all costs. Just like Miller's Crossing, it's an engaging tale with an atmospheric portrayal of the mob underworld, filled with moral ambiguities and striking cinematography.

One False Move (1992):

"One False Move" is a lesser-known but highly appreciated crime drama that explores the consequences of violence and crime, much like "Miller's Crossing". The film features outstandingly nuanced performances, including one by Billy Bob Thornton, who also co-wrote the screenplay.

L.A. Confidential (1997):

"L.A. Confidential," directed by Curtis Hanson, is a neo-noir crime film that won two Academy Awards. The film shares thematic similarities with "Miller's Crossing" in its portrayal of corruption, scandal, and mystery within the law enforcement system. It's hailed for its sharp dialogue, twisty plot, and stylish cinematography.

The Untouchables (1987):

For fans of “Miller's Crossing,” Brian De Palma's "The Untouchables" is a must-watch. The film presents Al Capone's reign in 1930s Chicago as Elliot Ness and his team attempt to bring him down. With its powerful performances, especially by Robert De Niro and Sean Connery, and striking visuals, this movie delivers an engaging and compelling narrative.



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